|
|
|
|
This powerful anti-war drama is constructed around twelve aquatints from Francisco Goya's Los Desastres de la Guerra. The aquatints are reproduced from the artist's proof. |
|
|
 |
|
|
|
|
|
 |
|
|
About the Book
|
|
Leighton Rollins' poetry is as appropriate today as it was in the days of the Munich betrayal.
|
|
— Kenneth Rexroth
|
|
The Goya etchings themselves, although reduced in size, are the sharpest and clearest that this reviewer has seen. Rollins' text is eloquent in its very simplicity and sincerity.
|
|
— Kenneth Brown
|
|
SANTA BARBARA NEWS PRESS
|
|
|